Alberto

La settima conferenza europea dei registrar ERC2010 è stata organizzata dal Netherlands Registrars Group – NRG, presso il Concertgebouw di Amsterdam.

Il programma, incentrato sul tema Being Green, ha visto alternarsi sessioni plenarie, workshop e seminari, in cui sono stati trattati vari argomenti come la sostenibilità in ambito museale e l’utilizzo di sistemi di gestione, nonchè di pratiche e procedure “verdi” a fronte di un contesto legislativo, relativo alla circolazione delle opere d’arte, sempre più complesso.

Di seguito si riportano i temi e gli interventi affrontati.

Welcome, Introduction, Wrap up
Cindy Zalm, chair Netherlands Registrars Group
Michiel Nijhoff
Paul Spies
Max Meijer

Keynotes
Museums, Registrars and Sustainability
Maurice Davies

Air Freight Safety – European Legislation on Air Freight, Air Freight Safety and Cargo Screening
René Italiaander

TSA (Transportation Security Administration) in the USA
Scott Pfeifer

A Carbon-Neutral Research Centre for Beauty
Randy Klinger

Lending to Europe: an update
Frank Bergevoet

The Art of Transitions to Become Green
Derk Loorbach

Procedures at Museum Ludwig, Cologne
Beatrix Schopp

Sessions
Sustainability and Climate Control in Museums
Bart Ankersmit

New Approaches to Museum Depots
Hans-Ewald Schneider

Sustainable Storage as Result of a Preventive Approach
Wouter Hijnberg and Marco Martens

Green, Red, Black: Analysis from the Going Green Survey
Stephen Mellor

The Greening of Fine Art Transportation: What Colour is your Crate?
Greg Gahagan, Klaus Hillman and Jonathan Schwartz

Registrars at the Centre of Collections Mobility
Marjolein Cremer

Will Being Green Influence Fine Art insurance?
Stephan Zilkens

The Loan is Insured = Green Light?
Cees Kortleve

From Manual Inventory Books to Digitized Inventory Records: A Preliminary Exploration of the National Palace Museum, Taiwan
Pang-Yen Cheng

Vibrrrrrrrrrrations. – The Impact of Vibration on Works of Art
Bill Wei

Energy-optimized Rebirth: The Renovation of the Wilhelm-Hack-Museum in Ludwigshafen am Rhein
Reinhard Spieler

How to Find a Needle in a Haystack? Implementation of RFID as an Improvement in the Management of a Scientific Collection: the Case of Institut Català de Paleontologia, Barcelona
Laura Celià

Experience with RFID Technology at Apice in Florence
Laura Reina

An International Concern: The Bizot Group Questionnaire and the V&A’s Approach to Becoming a Greener Museum
Sandra Smith

Panel discussion
Towards a new European Organisation: Sustaining the Knowledge of European Collection Mobility

Workshops
Tracking the Collection: Integrating Location Administration in Your Adlib Database
Judith van Gent, Annelies de Mey and René van de Heuvel

Registrar, a Reference Description
Herma Hofmeijer

La sesta conferenza europea dei registrar è stata organizzata da swissregistrar, presso il Congress Center di Basilea.

Nelle due giornate di convegno, sono stati affrontati i seguenti argomenti: diverse tipologie di spazi per l’arte; collezionisti e musei; problematiche e opportunità derivanti dai nuovi musei nel medio oriente; documentazione e archiviazione del lavoro museale; collezionare, inventariare ed esporre i nuovi media; questioni etiche nel lavoro museale: leggi, controlli e procedure; musei ed artisti viventi: interessi potezialmente in contrasto?

Di seguito si riportano i temi e gli interventi affrontati, estratti dal programma della conferenza.

Welcome address
Michael Koechlin, Head of Culture, Department of Education Canton of Basle City, and Elaine Vogel Keller, President of swissregistrars

A Different Type of Space for Art
Schaulager: A Different Space for Art
Theodora Vischer, Director, Schaulager, Münchenstein/Basel

Unlimited Accumulation? From Considerations of Preservation Principles to New Ways of Exhibiting
Catherine Duruel, Head of Collections, Centre Pompidou, Paris

Panel discussion:
Collectors and Museums – Towards a Better Partnership
Presentation: Bice Curiger, Curator, Kunsthaus Zürich
Maria de Peverelli, Art Consultant, Zurich
Thomas Koerfer, Collector, Zurich

New Museums in the Middle East: Issues and Opportunities
Dubai’s Aspiration to Become a Center for Global Culture
Michael Schindhelm, Director for Culture, Arts and Heritage, Dubai Culture and Arts Authority

Building the Future in Abu Dhabi: The Case of Saadiyat Island
Maria Paula Armelin, Registrar, Guggenheim Museum, New York

New Directions: The British Museum’s Loans and Travelling Exhibition Programme
Jill Maggs, Loans Manager, The British Museum, London

United in Diversity
Paul Williamson, Director Museums and Galleries, and Mark Hunt, Technical Manager, Constantine, London

Insuring Works of Art in the Emerging Markets of the Middle East
Robert Graham, Blackwall Green, London

Preserving for the Future: Documentation and Storage of Museum Work
PEVIAR, a Digital Storage Solution for Long-Term Archiving
Rudolf Gschwind, Head of Imaging& Media Lab, Basel

Small and Large Scale: Digital Preservation in Museums and in ICOM-CIDOC
Stefan Rohde-Enslin, Head of Institute for Museum Research – SMB-PK, Berlin

New Media Art: Collecting, Inventorying and Exhibiting New Media
The Preservation of Video Art: Collecting Data, Archiving, Lending
Agathe Jarczyk, Conservator, Videocompany Zofingen, Switzerland

Building-up a Permanent Collection of Audio-Visual Work
Elena Volpato, Curator Video Collection, Galleria Civica d’Arte Moderna, Turin

Ethical Issues in Museum Work: Laws, Controls and Procedures
Art without Borders? Ethical Challenges for Museums
Jean-Frédéric Jauslin, Director, Federal Office of Culture, Bern

CITES and Museums: How do Endangered Species Regulations Affect the Work of a Registrar?
Stephen Nash, CITES Secretariat, Geneva

Legal Immunity for Artworks for Temporary Loans to Switzerland
Benno Widmer, Head Specialized Body for the Transfer of Cultural Property, Federal Office of Culture, Bern

Panel discussion:
Museums and Living Artists: Potentially Clashing Interests?
Presentation: Stephen Dunn, Registrar, National Gallery, London
Sabina Lang, Artist, Burgdorf
Luca Trevisani, Artist, Berlin
Fabienne Eggelhöfer, Curator, Zentrum Paul Klee, Bern
Luisa Mensi, Conservator, Turin

La quinta conferenza europea dei registrar, organizzata presso l’Auditorium del Museo Nacional Centro de Arte Reina Sofia a Madrid dall’ARMICE, ha visto la partecipazione di 460 tra registrar, professionisti museali e operatori commerciali del settore.

Nei due giorni di convegno sono stati affrontati diversi temi di grande interesse, tra cui: come coniugare design architettonico e requisiti museali; lo sviluppo della figura professionale dei registrar in Spagna, Italia e Svizzera; la gestione della qualità nei musei; la mobilità delle collezioni e le conclusioni delle conferenze di Manchester 2005 e Helsinki 2006; l’indennità governativa europea e molto altro ancora.

Di seguito un riepilogo del programma estratto dagli atti.

Museology plans and architecture: how to combine good architectural design with specific museum needs
Chair: Víctor M. Cageao Santacruz, Head of Infrastructure. Subdirección General de Museos Estatales. Ministerio de Cultura

Form, Purpose, Use: Architecture and Museum in Search of an Unfitting Medium
Luis Grau Lobo, Director, Museo de León

Nieto Sobejano Arquitectos, S.L.
Fuensanta Nieto y Enrique Sobejano, Arquitectos

Tate Modern: The Good, The Bad and The Ugly
Stephen Dunn, Registrar – Tate Modern, London

Museum registrars: Does this profession really exist in Spain? The Spanish professional, similarities and differences with other European professionals
Chair: Cristina Mulinas Pastor, Head Registrar. Instituto Valenciano de Arte Moderno (IVAM)

Documentation and Registration of Cultural Items in State-Run Museums
Andrés Carretero Pérez, Director, Museo del Traje. Centro de Investigación del Patrimonio Etnológico

Neus Moyano Miranda, Registrar, Centro de Cultura Contemporánea, Barcelona (CCCB)

The Development of the Figure of the Registrar in Italy
Flaminia Bonino, Registrar. Azienda Speciale Palaexpo Palazzo delle Esposizioni & Scuderie del Quirinale, Roma

Nicole Rüegsegger

ARMICE – Spanish Association of Registrars from Museums and Cultural Institutions – Association launch and presentation
Julia Toffolo, Government Art Collection, London
Carmen Sánchez García, Chairman ARMICE

Session A: Beyond the work of art. Other types of collection(archaeology, numismatics, ethnography, science, contemporary art…) Specific problems, storage and control systems
Chair: Paloma Muñoz-Campos García, Curator. Museo Nacional de Artes Decorativas, Madrid.
Meetings and Partings in the Beyond. The ‘Other’ Collections and their Issues

Numismatic Pieces in Museums: Control, Storage Systems and Criteria for Classification in Reserve Areas
Carmen Marcos Alonso, Head of Numismatic Department. Museo Arqueológico Nacional

Installations: Documentation and Registration
Pureza Villaescuerna Ilarraza, Head of Art Store rooms, Museo Nacional Centro de Arte Reina Sofía, Madrid

The Boijmans Print-Room, an Experiment in RFID
Paul Teunissen, Registrar. Museum Boijmans Van Beuningen. Rótterdam

Session B: From quantity to quality: Quality management in Museums
Chair: Pilar Blesa, Head of Archive and Documentation. Museo Nacional de Arte de Cataluña (MNAC)

Quality as a Museum’s Thinking Tool: With Special Reference to Museum Registrar’s Departments
Pablo Hereza Lebrón, Head of Museum Documentation Department, Dirección General de Museos, Junta de Andalucía

Application of ISO Quality Management Standards at Spanish Museums
Rafael Azuar Ruiz, Director. Maritime Archaeology National Museum, Cartagena.

European Standardisation For Cultural Goods. The experience of the Guggenheim Museum Bilbao with total quality management
Anne De Wallens, Registrar. Musée du Louvre

The experience of the Guggenheim Museum Bilbao with total quality management
Roberto Cearsolo, Head of Administration and Finance, Museo Guggenheim, Bilbao

What do we do with our collections when there is a lack of storage space? Deposit/storage in and outside the museum: management, storage and control system problems
Chair: Eva Mª Alquézar Yáñez, Head of Collection. Subdirección General de Museos Estatales. Ministerio de Cultura

Managing the ‘Scattered Prado’: Change and Planning
Andrés Gutiérrez Usillos, Head Registrar. Museo Nacional del Prado, Madrid

Outside Storage at the Deutsches Historisches Museum – A Stroke of Luck?
Edith Michelsen, Registrar. Deutsches Historisches Museum, Berlin

Olga Ilmenkova, Head of Loan Agreement Department, The State Hermitage Museum, St Petersburg

Long Term Loans: Towards more Profitable Use of Collections
Susanna Pettersson, Senior Planning Officer, Art Museum Plan Development Department, The Finnish National Gallery, Helsinki

Informative session. EU Collection Mobility Project: conclusions of the Manchester-2005 and Helsinki-2006 Meet
Increasing the Mobility of Collections. A synopsis of the 2005 Manchester Conference
David McNeff, Loans Manager. National Portrait Gallery, London.

Mobility of Collections. Conclusions of the Helsinki-2006 Meeting
Anja Tullikki Huovinen, General Secretary. The Finnish Museums Association, Helsinki.

Lending: why and what for? Cultural goods loans: management problems and new lender requirements
Chair: Karina Marotta, Head of Exhibitions. Museo Nacional del Prado, Madrid.Speakers

A Rationale for Loan Fees (and their Exceptions)
Joan Llinares i Gómez, Financial Manager. Museo Nacional de Arte de Cataluña (MNAC), Barcelona

Anti-Seizure and the Legal Immunity of Works of Art on Loan in the European Union
Anna O’Connell, Registrar, The Art Loss

Development of a Standard European Loan Form
Birgid Pudney-Schmidt Chair Registrars Deutschland, Dusseldorf

What Should be Your Challenges Concerning Mobility of Collections?
Astrid Weij, Policy Officer on International Affairs, Netherlands Ministry of Education, Culture and Science, The Hague (Netherlands)

Informative session. Customs procedures: the current situation and new prospects
Protection of Cultural Assets
Dolores Gomez de Salazar, Customs Officer and Member of The Board of Assessment, Valuation and Exportation of works of the Spanish National Heritage

An Innovative Approach to Customs Management: The Experience of the Guggenheim, Museum Bilbao
Sonia Núñez, Registrar. Museo Guggenheim Bilbao

Informative session. Will a European Indemnity ever be achieved? TheState Guarantee: brief summary and update
Wishful Thinking? The Prospects for a European Indemnity
Freda Matassa, Independent Museum Consultant, United Kingdom

Will a European Indemnity Ever Be Achieved? The State Guarantee: Brief Summary and Update
Henrieta Galambos, Head of Legal and Registrars Department. Museums of Fine Arts, Budapest

La conferenza, organizzata dall’associazione dei registrar tedeschi, ha affrontato temi come l’indennità governativa, le opportunità e le sfide poste dall’allargamento dell’Unione Europea, la riduzione dei costi nell’organizzazione delle mostre, il lavoro con materiali e oggetti non convenzionali per qualità e dimensione e più in generale con le opere d’arte contemporanea.
Riportiamo il programma degli interventi delle due giornate.

Conference opening.
Gijs van Tuyl, Director, Kunstmuseum Wolfsburg.
Birgid Pudney-Schmidt, Manfred Müller, Registrars Deutschland

Government Indemnity: The financial benefit to loans and exhibitions.
Chair: Stephen Dunn, Registrar, Tate Modern, London.

UK Indemnity
Hillary Bauer, Head of the Cultural Property Unit, Department Culture, Media an Sport, London.
US Government Indemnity
Alice Welihan, Indemnity Administrator, National Endowment for the Arts, Washington
National Indemnity in Denmark
Henrik Bjerre, Danish Ministry of Culture, Statens Museum for Kunst, Copenhagen
Spanish Government Indemnity
Veronica Castillo, Museo Nacional Centro de Arte Reina Sofia, Madrid
Italian Indemnity
Emanuela Fiori, Soprintendenza per il Patrimonio Storico, Bologna
German Federal and State Indemnities
Stephan Zilkens, Oskar Schunck AG, Cologne

The Opportunities and Challenges of the Expanding European Union.
Chair: Eva Gebhard, Head of Art Handling, Kunstmuseum Wolfsburg.

Working with the treasures of the Moscow Kremlin
Maria Bogoslovskaya, Exhibitions Coordinator, State Kremlin Museum, Moscow
International loans from Polish Museums
Tomasz Zaucha, Registrar, Muzeum Narodowe W Krakowie
How to organize shows whithout a registrar
Riitta Rajalin, Exhibition Technician, Kiasma Museum, Helsinki
The situation of the museums in Greece
Lila de Chaves, Hellenic Federation of Friends of Museums, Athen

Maximum Value, Minimum Cost: Reducing exhibition costs.
Chair: Tina Köhler, Exhibition Organisation, Haus der Kunst, Munich.

Budgeting exhibitions
Martine Silie, Chef du Service des Manifestations. Centre Pompidou, Paris
Estimates – how to ask for, how to read them
Markus Dennig, Masterpiece International Ltd, New York
Shipping and Couriers
Dr. Manfred Müller: Project Manager, Kunstmuseum Wolfsburg
Reducing insurance cost
Michael Kuhn, Kuhn & Bülow Insurance Brokers, Berlin

Beyond Oil on Canvas: Working with unconventional materials.
Chair: Katharina Nettekoven, Registrar, Kunstsammlung -Nordrhein-Westfalen, Duesseldorf.

Issues with the Inventory, Packing and Storing of Contempory Art – Example “Uno Momento” by Jason Rhoades
Laura Bechter, Registrar, Hauser & Wirth Collection, St. Gallen
Challenges of modern art and new materials
Pip Laurenson, Media Conservator, Tate Modern, London
Moving Beuys from Mönchengladbach to Berlin
Ernst Fuchs, Fuchs Realisation GmbH, Bochum
Handling Contemporary photographs: Challenges and Comforts
Martin Jürgens, Photo Conservator, Hamburg

Current collection and exhibition management systems.
Chair: Anne Barz, (Leitung Fachliche Dienste), Hamburger Kunsthalle.

MuseumPlus at K20K21 – Organizing the Chaos
Dr. Maria Müller-Schareck, Curator, Kunstsammlung Nordrhein-Westfalen, Duesseldorf
Gallery Systems – planning implementations to meet your objectives
Tim Henbrey, Gallery Systems, London
ArteFact
Wolfgang Müller-Kaufmann, CBM Informationslogistik GmbH, Vienna
Rapid Exhibitions
Jeremy Gilmore, CJG Consultants Ltd, London

Too big, too difficult, too heavy: Moving and installing problem objects.
Chair: Birgid Pudney-Schmidt, Chair Registrars Deutschland e.V.

Maurizio Cattelan – How to bring an olive tree into a Staircaise
Eva Gebhard, Registrar, Kunstmuseum Wolfsburg
Moving Rembrandt’ s “Nightwatch”
Wim Hoeben, Head of Material Collections Management, Rijksmuseum Amsterdam
Moving Concorde – The Impossible made Possible
Alistair Dodds, Curator of Transport, National Museums of Scotland, Edinburgh:
Moving with Damien Hirst
Guy Morey, Momart Ltd, London

La terza conferenza europea dei registrar di opere d’arte , organizzata da Registrarte con il patrocinio del Ministero per i Beni e le Attività Culturali, del Comune di Roma, Assessorato alle Politiche Culturali e il supporto di vari operatori privati, ha fatto seguito alle due precedenti edizioni della stessa manifestazione (Londra 1998, Parigi 2000), costituendo un’ulteriore occasione di dibattito ed approfondimento per gli operatori del settore, oltre che un evento di particolare rilevanza nel panorama dei Beni Culturali italiani, non ultimo in virtù della presenza di ben oltre trecento partecipanti tra registrar e addetti ai lavori provenienti da tutta l’Europa e dagli Stati Uniti.

Il programma degli interventi dà la misura di quanto le tematiche affrontate abbiano contribuito alla diffusione della conoscenza della figura professionale del registrar di Opere d’arte in Italia, permettendo ai professionisti del settore di confrontarsi su problematiche di comune interesse. Dall’ampia trattazione dei temi è emerso infatti un panorama multiforme e variegato – per modalità operative individuali o nazionali, per efficacia o potenzialità tecnica e gestionale, per finalità e caratteristiche delle singole professionalità coinvolte – delle attività che il registrar è chiamato ad assolvere secondo i principi dell’attuale modello di riferimento europeo, di cui l’Italia solo ora (purtroppo in ritardo) inizia a prendere concretamente coscienza. A ribadire che lo scopo dichiarato di questa terza edizione della Conferenza era proprio quello di definire e promuovere il profilo professionale del registrar anche nel nostro Paese.

È proprio sulle problematiche relative alla gestione delle mostre d’arte in sede di scambi e collaborazioni internazionali (norme europee in fatto d’esportazione e spedizione dei beni culturali; prestito di opere d’arte conservate nelle chiese; accompagnamento delle opere in prestito; movimentazione speciale; mostre itineranti; sicurezza delle sedi espositive) che si è concentrato il maggior interesse dei relatori e del pubblico partecipante al dibattito, avviando una serie di interventi collaterali rispetto ai temi previsti che hanno favorito l’individuazione dei principali temi di riferimento per la formulazione di una futura normativa che possa assolvere in sede europea alle nuove esigenze di carattere professionale e culturale e rimediare a carenze che la mancata collaboratività ha fin troppo spesso messo in evidenza.

Gli atti della conferenza, “Registrar di Opere d’Arte. Atti della Terza Conferenza Europea” sono stati pubblicati da Silvana Editoriale.

La conferenza è stata promossa e organizzata da: Registrarte – Associazione Italiana dei Registrar di Opere d’Arte

con il patrocinio di
MINISTERO PER I BENI E LE ATTIVITA’ CULTURALI
COMUNE DI ROMA – ASSESSORATO ALLE POLITICHE CULTURALI

in collaborazione con
UK Registrar’s Group (UKRG)
Association Française Régisseurs Oeuvres d’Art (AFROA)
Azienda Speciale Palaexpo
Galleria Nazionale d’Arte Moderna

e con il sostegno di
André Chenue (Paris), Aon Artscope (Amsterdam), Arterìa (Milano), Assitalia (Roma), Blackwall Green, Jewellery and Fine Art (London), Borghi International (Milano), Cienne Transport (Roma), Constantine (London), Crozier Fine Arts (New York), Dietl International Services (Jamaica, NY), Edict Transporte Especial (Madrid), Epoca Insurance (Bologna), Exel Logistics (Oslo), Expositions Natural Le Coultre (Genève), Gander and White Shipping (London), Geodis Züst Ambrosetti (Milano), Gerlach Art Packers & Shippers (Schiphol), Gondrand (Milano), Gras Savoye (Neuilly-sur-Seine), Harsch Transports (Genève), Hasenkamp Internationale Transporte (Köln), HS Art Service (Wien), Interlinea Fine Arts Packers and Forwarders (Venezia), Hungart International Fine Art Shipping (Budapest), Khepri (St. Petersburg), Kuhn & Bülow Versicherungsmakler (Berlin), Kunsttrans Spedition (Wien), Léon Aget (Marseille), LP Art (Paris), Masterpiece International (New York), Mat Securitas Express (Zürich), Møbeltransport Danmark (Rødovre), Möbel-Transport (Zürich), Momart (London), MT Art Services (Senningerberg), MTAB Transport & Spedition (Stockholm), Oxford Exhibition Services (London), Panzironi Art Transport (Milano), Piccin Trasporti d’Arte (Milano), Progress Insurance Broker (Roma), RBA Racine Berkow Associates (New York), SIT Transportes Internacionales (Madrid), Stebich Ridder International (New York), Tti Tecnicas de Transportes Internacionales (Barcelona), Tratto (Venezia), Van Kralingen (Den Haag), West Coast Keating (San Francisco), ZF Josef Roggendorf (Köln).

Sponsor tecnico
ExibARTonpaper

Documenti:

La seconda conferenza europea, che si è tenuta presso l’Auditorium des Galeries Nationales du Grand Palais, è stata organizzata dall’AFROA e ha affrontato i seguenti temi: i condition report per le mostre temporanee, clausole fondamentali nei contratti di assicurazione delle opere d’arte, sinistri e deprezzamento delle opere, il ruolo del registrar nella conservazione preventiva, l’organizzazione del magazzino, handling e sicurezza delle opere in Europa nei viaggi aerei, sinistri ad opera di terze parti, registrar e arte contemporanea.

Per completezza si consultino gli atti della conferenza:
Marie-France Cocheteux; Association française des régisseurs d’œuvres d’art; et al
Actes de la deuxième Conférence européenne des régisseurs d’oeuvres d’art : Paris, Galeries nationales du Grand Palais, 14 & 15 novembre 2000, La Celle Saint-Cloud : 40 cerisiers, ©2002

Riportiamo, di seguito, il programma degli interventi delle due giornate.

Conference opening
David Guille, Administrateur General, Galeries Nationales du Grand Palais, Paris
Helene Vassal, Presidente de l’AFROA, Régisseur des collections au musée des arts asiatiques, Guimet, Paris
Jean Naudin,President du comité d’organisation de la Conference, Vice-President de l’AFROA, Responsable du mouvement des oeuvres, Reunion des musées nationaux, Paris

Panel discussion on the subject of condition reports for temporary exhibitions
Présidé par
Carole Farra, Régisseur, Centre Georges Pompidou, Paris
Intervenants
Brigitte Daprà, Museo di Capodimonte, Naples
Jean Rosston, Restauratrice, Kunsthaus Zurich
Krystyna Lubienska, Régisseur, Zamek Krolewski W Warzawie
Anne de Wallens, Régisseur du département des Peintures du musée du Louvre

Insuring art works: the essential clauses in the insurance contract
Présidé par
Annie Boucher, Chef du service de la regie des oeuvres, Centre Georges Pompidou
Intervenants
Delphine Davenier, Adjointe au chef du service de la regie des oeuvres, Centre Georges Pompidou
Marie-Christine Alves Bonde, Chef du service juridique, Centre Georges Pompidou
Cees Kortleve, Directeur Property Department, Aon Nederland

Handling claims and depreciation: a «user’s manual»
Présidé par
Jean Naudin, Responsable du mouvement des oeuvres Reunion des musées nationaux, Paris
Intervenants
François Privat, Expert judiciaire auprès de la Cour d’Appel, Paris
Yves Première, Axa Global Risks, Paris
Frank Bülow, Kuhn & Bülow, Berlin

The role of the registrar in preventative conservation

Part one: Four registrars speak about their experience
Présidé par
Anne de Wallens, Régisseur du département des Peintures du musée du Louvre
Intervenants
Wim Hoeben, Régisseur, département des peintures, Rijksmuseum, Amsterdam
Caterina Bon, Soprintendenza di Umbria, Perugia
Hélène Vassal, Régisseur des collections, musée national des arts asiatiques -Guimet
Lillie Johansson, Régisseur, National Museum, Stockholm

Part two: “Panel discussion on preventive conservation”
Présidé par
Vincent Pomarède, Conservateur du Patrimoine, Directeur du musée des Beaux Arts de Lyon
Intervenants
David Cueco, President de la Federation Françise des Conservateurs Restaurateurs
Gwënael Rimaud, LP Art, Paris
Denis Guillemard, DESS Conservation preventive Université Paris I
Antonio Addari, Propileo, Rome
Caterina Bon, Soprintendenza di Umbria, Perugia
Wim Hoeben, Régisseur, département des peintures, Rijksmuseum, Amsterdam
Lillie Johansson, Régisseur, National Museum, Stockholm
Hélène Vassal, Régisseur des collections, musée national des arts asiatiques Guimet
Anne de Wallens, Régisseur du département des Peintures du musée du Louvre
Anne Van Grevestein, Restauratrice, Maastricht

Organising Store Rooms
Présidé par
Francine Robinson, Coordinateur d’expositions, Reunion des musées nationaux, Paris
Intervenants
Eric Blanchegorge, Conservateur du musée Vivenel, Compiègne
Jackie Britton, Head of collections storage and access, Science Museum, Londres

Air freight handling & security in Europe
Présidé par
Jean Naudin, Responsable du mouvement des oeuvres, Reunion des musées nationaux, Paris
Intervenants
Patrick Delauche, Andre Chenue SA, Paris
John Juson, Momart, Londres
Rene Italiaander, Gerlach, Amsterdam
Hans-Ewald Schneider, Hasenkamp, Cologne

Third Party claims
Présidé par
Julia Toffolo, Registrar, Government Art Collection of United Kingdom, Londres
Intervenants
Sharon Page, Tate Gallery, Londres
Didier Schulman, Conservateur charge de la documentation des collections au Centre Georges Pompidou musée national d’art moderne, Paris
Professeur Norman Palmer, University of London
Professor Wojciech Kowalski, Department of Intellectual & Cultural Property Laws, University of Silesia, Katowice, Poland

The registrar and contemporary art
What are the methods of caring for contemporary art? What is the registrar’s mission and what are the tools available in dealing with contemporary art?
Table ronde présidée par:
Jean-Michel Jagot, Responsable de la diffusion de la collection du Frac des Pays de la Loire

Ouverture de la seance et introduction aux problèmes spécifiques de la regie en art contemporain
Présidé par
Jean-Michel Jagot, Responsable de la diffusion de la collection du Frac des Pays de la Loire

The change of status of an art work: production, preservation and contemporary art
Présidé par
Robert Fleck, Critique d’art, commissaire d’exposition et Directeur de l’Ecole régionale des Beaux arts de Nantes

The relationship between the artist and the registrar. Sarki’s experience
Sarkis, artist

The installation and travelling of a contemporary art exhibition consisting of 1000 heavy and over-sized works
Tina Köhler, Régisseur et coordinatrice d’exposition, Haus der Kunst, Munich

Specifics of preservation and conservation for contemporary art
Irene Civil Plans, Restauratrice d’oeuvre d’art moderne et contemporain, Espagne

Documentation and interpretation of the art work: how can installations be archived?
Jeremy Wood, Directeur, Museum of Installation, Londres
Nicolas Oliveira, Directeur, Museum of Installation, Londres

Documenti: