Month: January 2002

The third European conference of art registrars, organised by Registrarte with the patronage of the Ministry of Cultural Heritage and Activities, the Municipality of Rome, Department of Cultural Policies and the support of various private operators, followed the two previous editions of the same event (London 1998, Paris 2000), constituting a further opportunity for debate and in-depth analysis for operators in the sector, as well as an event of particular relevance in the panorama of Italian Cultural Heritage, not least by virtue of the presence of over three hundred participants including registrars and insiders from all over Europe and the United States.

Il programma degli interventi dà la misura di quanto le tematiche affrontate abbiano contribuito alla diffusione della conoscenza della figura professionale del registrar di Opere d’arte in Italia, permettendo ai professionisti del settore di confrontarsi su problematiche di comune interesse. Dall’ampia trattazione dei temi è emerso infatti un panorama multiforme e variegato – per modalità operative individuali o nazionali, per efficacia o potenzialità tecnica e gestionale, per finalità e caratteristiche delle singole professionalità coinvolte – delle attività che il registrar è chiamato ad assolvere secondo i principi dell’attuale modello di riferimento europeo, di cui l’Italia solo ora (purtroppo in ritardo) inizia a prendere concretamente coscienza. A ribadire che lo scopo dichiarato di questa terza edizione della Conferenza era proprio quello di definire e promuovere il profilo professionale del registrar anche nel nostro Paese.

The programme of speeches gives a measure of how much the topics addressed contributed to the dissemination of knowledge of the professional figure of the art registrar in Italy, allowing professionals in the sector to discuss issues of common interest. In fact, a multiform and variegated panorama emerged from the wide-ranging discussion of the topics – in terms of individual or national operating methods, technical and management effectiveness or potential, and the purposes and characteristics of the individual professions involved – of the activities that the registrar is called upon to perform according to the principles of the current European reference model, of which Italy is only now (unfortunately late) beginning to become concretely aware. To reiterate that the declared purpose of this third edition of the Conference was precisely to define and promote the professional profile of the registrar also in our country.

The conference proceedings, ‘Registrar of Works of Art. Proceedings of the Third European Conference’ were published by Silvana Editoriale.

The conference was promoted and organised by: Registrarte – Associazione Italiana dei Registrar di Opere d’Arte

under the patronage of
MINISTERO PER I BENI E LE ATTIVITA’ CULTURALI
COMUNE DI ROMA – ASSESSORATO ALLE POLITICHE CULTURALI

in collaboration with
UK Registrar’s Group (UKRG)
Association Française Régisseurs Oeuvres d’Art (AFROA)
Azienda Speciale Palaexpo
Galleria Nazionale d’Arte Moderna

and with the support of
André Chenue (Paris), Aon Artscope (Amsterdam), Arterìa (Milano), Assitalia (Roma), Blackwall Green, Jewellery and Fine Art (London), Borghi International (Milano), Cienne Transport (Roma), Constantine (London), Crozier Fine Arts (New York), Dietl International Services (Jamaica, NY), Edict Transporte Especial (Madrid), Epoca Insurance (Bologna), Exel Logistics (Oslo), Expositions Natural Le Coultre (Genève), Gander and White Shipping (London), Geodis Züst Ambrosetti (Milano), Gerlach Art Packers & Shippers (Schiphol), Gondrand (Milano), Gras Savoye (Neuilly-sur-Seine), Harsch Transports (Genève), Hasenkamp Internationale Transporte (Köln), HS Art Service (Wien), Interlinea Fine Arts Packers and Forwarders (Venezia), Hungart International Fine Art Shipping (Budapest), Khepri (St. Petersburg), Kuhn & Bülow Versicherungsmakler (Berlin), Kunsttrans Spedition (Wien), Léon Aget (Marseille), LP Art (Paris), Masterpiece International (New York), Mat Securitas Express (Zürich), Møbeltransport Danmark (Rødovre), Möbel-Transport (Zürich), Momart (London), MT Art Services (Senningerberg), MTAB Transport & Spedition (Stockholm), Oxford Exhibition Services (London), Panzironi Art Transport (Milano), Piccin Trasporti d’Arte (Milano), Progress Insurance Broker (Roma), RBA Racine Berkow Associates (New York), SIT Transportes Internacionales (Madrid), Stebich Ridder International (New York), Tti Tecnicas de Transportes Internacionales (Barcelona), Tratto (Venezia), Van Kralingen (Den Haag), West Coast Keating (San Francisco), ZF Josef Roggendorf (Köln).

Technical sponsor
ExibARTonpaper

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